I recently purchased one of Tamiya’s Spitfire offerings and the instructions depict a paint scheme where one wing underside is painted black while the other is white. My question is what was the reason for this practice? My best guess in that it might be a form of aerial recognition pattern to avoid instances of ‘friendly’ AAA fire – but that’s just a huge guess on my part.
Can anyone clarify for me why that scheme was used – if my question makes sense…
Thanks in advance,
Noah
World War II
Discuss WWII and the era directly before and after the war from 1935-1949.
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Alternate black / white under-wings?
UM83CANES
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Posted: Monday, September 14, 2009 - 09:27 AM UTC
EdgarBrooks
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Posted: Monday, September 14, 2009 - 08:09 PM UTC
As you surmise, it was for ease of recognition, when RAF aircraft were fighting during the Battle of France. When the Battle of Britain started, the practice was dropped, in favour of the all-over Sky undersides. At the end of 1940, a single black wing was re-introduced (with the rest remaining Sky,) but it was fairly short-lived.
Edgar
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Posted: Tuesday, September 15, 2009 - 07:00 AM UTC
Nothing at all to do with the Battle of France. My letter published in this month's Britain at War Magazine explains why and how the scheme was introduced.
Dear Sir,
Mr Featherston has the correct reason for RAF fighter aircraft having black and white undersides but this did not belong to the pre-radar world. It was in fact the shortcomings of the early radar systems that were largely responsible for this scheme being adopted.
During the mid to late 1930s, Britain was engaged in the task of building the world's first integrated air defence system. A means of detecting enemy aircraft at a distance in the form of what is today called radar was developed together with a command and control system to pass the information gathered by the radar to the fighters whilst in the air.
One of the many problems of integrating this system was how to distinguish between friendly fighters and enemy aircraft from the ground. This was necessary to allow them to be tracked over land by the Observer Corps. The early Chain Home radar transmitted its signals through 360 degrees, in order for the radar operators to distinguish the direction that the enemy were coming, the inland 180 degrees had to be blocked out electronically.
The result of this was that there was no radar coverage inland, and all the plotting information which was required for a successful interception, such as the location of the fighters in relation to the raiders once they had crossed the coast, had to be obtained visually, by the Observer Corps.
The solution to the problem of distinguishing friendly fighters visually from the ground was originally suggested by the Commander in Chief of Fighter Command, Hugh Dowding. In May 1937, Dowding wrote to the Air Ministry suggesting that the undersides of fighter aircraft should be painted in such a way as to make them easily identifiable from the ground. He suggested that the underside of one of the lower mainplanes should be finished in silver dope and the other in dull black. By this means however arrangement was likely to be viewed, it would always present a characteristic part coloured appearance to the observer. After some consideration by the Air Ministry it was decided that the idea should be tried out and permission for trials to begin was granted in July 1937.
During October 1937 Dowding wrote to the Air Ministry to inform them of the results obtained from the experiment. Whilst doing so, he suggested that with production of the Hurricane gathering pace, the undersides of the wings of these aircraft should be finished black on the port side and white on the starboard. He also suggested that to make the marking as clear as possible, the aircraft identification numbers should be omitted from the wing under surfaces.
The Air Ministry agreed that some Hurricanes could be finished in this way for the purpose of a large scale service trial and wrote to Dowding during December 1937 to inform him of the decision. As production of the Hurricane was well advanced by this time, it had not been found possible to apply the marking to early production aircraft, but it was to be instituted as soon as possible without delaying production.
The Air Ministry felt that it could not agree to the omission of the serial number from the under surfaces of the wings believing they should be retained as a deterrent to unauthorised low flying as they almost always allowed the offending aircraft and therefore pilot to be identified.
Hawkers were informed in a letter dated 8 January 1938 that it was desired that the under surface of the port wing was to be finished in black and the starboard wing white, with the flaps and ailerons included in this colour scheme. The identification numbers on the starboard (white) side of the aircraft were to remain as they were at present, but those on the port (black) side were to be applied in white to be visible against the black background. Because the Air Ministry had not made it absolutely clear whether the outer wings only were to be black and white or whether the dividing line between the two colours should be on the centreline of the centre section, a sketch showing only the outer panels of the wings finished in black and white was submitted to the Air Ministry in January 1938 for their approval along with a quoted price of £5. 0. 0d. for each aircraft to be finished in this manner. When the Air Ministry raised no objections, this was how the aircraft left the production line.
In March 1938, the Air Ministry wrote to Fighter Command informing them that the serial numbers of the Hurricanes earmarked for the new under surface colour scheme were 11576 - L1625 and delivery was expected to commence before the end of the month.
Once these aircraft began to go into service during early April 1938, Fighter Command expressed a wish that all Spitfires and Hurricanes should be finished in this manner. However in June 1938, Dowding complained that the Hurricanes which had been delivered by that time had not been properly painted as he wished the black and white colours to cover the largest possible surface and to meet on the centreline. The Hurricanes supplied thus far had not been painted on the fuselage at all, leaving a silver strip between the black and white which caused the colours to blend into one another when seen from a distance, destroying the contrast. He also suggested that the roundels on the under surfaces of home defence fighter aircraft were no longer necessary as the black and white finish would act as sufficient identification from below and the roundels only served to break up the clean expanse of black and white which was being relied upon for recognition.
The suggestion that roundels be removed from the under surfaces of Home Defence Fighter aircraft was considered by the Air Ministry, which concluded that there was no legal reason why this could not be done and in August 1938, the Director of Operations and Intelligence, wrote to Fighter Command to inform them of the decision. It was however stated that the roundels must continue to be used in the Field Force fighter squadrons.
Eventually Dowding’s nagging and complaining bore fruit and fighter aircraft were finished with the undersides painted black and white divided down the centre line of the fuselage. By the outbreak of war most anomalies had been corrected and the majority of fighter aircraft were painted in accordance to his wishes. This lasted until June 1940 when undersides were painted all over sky.
The actual colour used was not black, but Night. Night was not a true black as it contained Carbon Black and Ultramarine pigments. It was developed before the war as an anti-searchlight finish. The existing matt black paint used by the RAF contained only Carbon Black pigment which was too soft, the paint easily polishing to a glossy sheen. The Ultramarine was added to make the finish more durable, not to alter the colour.
Dear Sir,
Mr Featherston has the correct reason for RAF fighter aircraft having black and white undersides but this did not belong to the pre-radar world. It was in fact the shortcomings of the early radar systems that were largely responsible for this scheme being adopted.
During the mid to late 1930s, Britain was engaged in the task of building the world's first integrated air defence system. A means of detecting enemy aircraft at a distance in the form of what is today called radar was developed together with a command and control system to pass the information gathered by the radar to the fighters whilst in the air.
One of the many problems of integrating this system was how to distinguish between friendly fighters and enemy aircraft from the ground. This was necessary to allow them to be tracked over land by the Observer Corps. The early Chain Home radar transmitted its signals through 360 degrees, in order for the radar operators to distinguish the direction that the enemy were coming, the inland 180 degrees had to be blocked out electronically.
The result of this was that there was no radar coverage inland, and all the plotting information which was required for a successful interception, such as the location of the fighters in relation to the raiders once they had crossed the coast, had to be obtained visually, by the Observer Corps.
The solution to the problem of distinguishing friendly fighters visually from the ground was originally suggested by the Commander in Chief of Fighter Command, Hugh Dowding. In May 1937, Dowding wrote to the Air Ministry suggesting that the undersides of fighter aircraft should be painted in such a way as to make them easily identifiable from the ground. He suggested that the underside of one of the lower mainplanes should be finished in silver dope and the other in dull black. By this means however arrangement was likely to be viewed, it would always present a characteristic part coloured appearance to the observer. After some consideration by the Air Ministry it was decided that the idea should be tried out and permission for trials to begin was granted in July 1937.
During October 1937 Dowding wrote to the Air Ministry to inform them of the results obtained from the experiment. Whilst doing so, he suggested that with production of the Hurricane gathering pace, the undersides of the wings of these aircraft should be finished black on the port side and white on the starboard. He also suggested that to make the marking as clear as possible, the aircraft identification numbers should be omitted from the wing under surfaces.
The Air Ministry agreed that some Hurricanes could be finished in this way for the purpose of a large scale service trial and wrote to Dowding during December 1937 to inform him of the decision. As production of the Hurricane was well advanced by this time, it had not been found possible to apply the marking to early production aircraft, but it was to be instituted as soon as possible without delaying production.
The Air Ministry felt that it could not agree to the omission of the serial number from the under surfaces of the wings believing they should be retained as a deterrent to unauthorised low flying as they almost always allowed the offending aircraft and therefore pilot to be identified.
Hawkers were informed in a letter dated 8 January 1938 that it was desired that the under surface of the port wing was to be finished in black and the starboard wing white, with the flaps and ailerons included in this colour scheme. The identification numbers on the starboard (white) side of the aircraft were to remain as they were at present, but those on the port (black) side were to be applied in white to be visible against the black background. Because the Air Ministry had not made it absolutely clear whether the outer wings only were to be black and white or whether the dividing line between the two colours should be on the centreline of the centre section, a sketch showing only the outer panels of the wings finished in black and white was submitted to the Air Ministry in January 1938 for their approval along with a quoted price of £5. 0. 0d. for each aircraft to be finished in this manner. When the Air Ministry raised no objections, this was how the aircraft left the production line.
In March 1938, the Air Ministry wrote to Fighter Command informing them that the serial numbers of the Hurricanes earmarked for the new under surface colour scheme were 11576 - L1625 and delivery was expected to commence before the end of the month.
Once these aircraft began to go into service during early April 1938, Fighter Command expressed a wish that all Spitfires and Hurricanes should be finished in this manner. However in June 1938, Dowding complained that the Hurricanes which had been delivered by that time had not been properly painted as he wished the black and white colours to cover the largest possible surface and to meet on the centreline. The Hurricanes supplied thus far had not been painted on the fuselage at all, leaving a silver strip between the black and white which caused the colours to blend into one another when seen from a distance, destroying the contrast. He also suggested that the roundels on the under surfaces of home defence fighter aircraft were no longer necessary as the black and white finish would act as sufficient identification from below and the roundels only served to break up the clean expanse of black and white which was being relied upon for recognition.
The suggestion that roundels be removed from the under surfaces of Home Defence Fighter aircraft was considered by the Air Ministry, which concluded that there was no legal reason why this could not be done and in August 1938, the Director of Operations and Intelligence, wrote to Fighter Command to inform them of the decision. It was however stated that the roundels must continue to be used in the Field Force fighter squadrons.
Eventually Dowding’s nagging and complaining bore fruit and fighter aircraft were finished with the undersides painted black and white divided down the centre line of the fuselage. By the outbreak of war most anomalies had been corrected and the majority of fighter aircraft were painted in accordance to his wishes. This lasted until June 1940 when undersides were painted all over sky.
The actual colour used was not black, but Night. Night was not a true black as it contained Carbon Black and Ultramarine pigments. It was developed before the war as an anti-searchlight finish. The existing matt black paint used by the RAF contained only Carbon Black pigment which was too soft, the paint easily polishing to a glossy sheen. The Ultramarine was added to make the finish more durable, not to alter the colour.
stonar
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Posted: Wednesday, September 16, 2009 - 06:22 AM UTC
That explains the reasons for the initial Black/White divide. As Edgar says between November 1940 and April 1941 the RAF adopted the short lived Sky/Black port wing scheme. Why on earth did it do this? I can only imagine that organisations like the Observer Corps were having difficulty distinguishing between friend and foe!
Steve
Steve
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Posted: Thursday, September 17, 2009 - 08:40 AM UTC
The changes to marking introduced in November 1940 have little in common with the ‘black and white’ pre-war scheme, the main purpose of which was to facilitate the Observer Corps distinguishing between formations of friendly and enemy aircraft. The emphasis had been on the entire undersides being divided equally black and white down the centre of the fuselage, and no other markings being applied that might interfere with its affectedness. Air Ministry signal X.798 sent 27th November 1940 to all Commands simply instructed that the port wing of day fighters in Fighter Command was to be painted underneath in Night overall and the roundel under that wing was to be outlined in yellow. At the same time Sky fuselage bands and spinners were also introduced indicating that what the Air Ministry/RAF had in mind was to facilitate aerial recognition
As the BoB was coming to an end a re-assessment was made by Fighter Command of its camouflage and markings in light of combat experience. There was a general consensus of opinion that favoured a return to the ‘black and white’ under surface finish. Fighter pilots had found it a useful means of immediately locating the position of friendly fighters above them. Although the black wing also identified RAF fighters to the enemy this slight disadvantage was accepted. The decision was taken to re-introduce the ‘black and white’ scheme throughout Fighter Command but because of the enormous amount of man hours involved in repainting it was agreed that painting the port wing black, leaving Sky on the rest of the under surfaces would suffice.
There is some indication that this measure was either seen at the time as being temporary or experimental or that there were reservations about it. The black (Night) paint specified for use was to DTD 441 standard. This was a matt finish distemper which could be applied by brush or spray. After drying at room temperature for two weeks it was to be readily removable with hot water leaving the surfaces uninjured.
After the ‘black’ port wing had been in use for several months signal A279 was sent by Fighter Command to the Air Ministry and all other Commands on 7th April 1941 notifying them that from dawn on 15th April (subsequently delayed until 22nd April) the ‘black’ marking would be removed from all port wing under sides of day fighters. The reason for the sudden change in policy is not known but may be due to the changing role of Fighter Command from a purely defensive force to a more aggressive one, undertaking mass formation ‘sweeps’ into enemy territory. In this context the black wing would have alerted ground observers as to the whereabouts of RAF fighters.
There were also other occurrences of painting the under surface of the port wing black as a temporary recognition feature. For example, Operation Spartan, Exercise Scorch.
As the BoB was coming to an end a re-assessment was made by Fighter Command of its camouflage and markings in light of combat experience. There was a general consensus of opinion that favoured a return to the ‘black and white’ under surface finish. Fighter pilots had found it a useful means of immediately locating the position of friendly fighters above them. Although the black wing also identified RAF fighters to the enemy this slight disadvantage was accepted. The decision was taken to re-introduce the ‘black and white’ scheme throughout Fighter Command but because of the enormous amount of man hours involved in repainting it was agreed that painting the port wing black, leaving Sky on the rest of the under surfaces would suffice.
There is some indication that this measure was either seen at the time as being temporary or experimental or that there were reservations about it. The black (Night) paint specified for use was to DTD 441 standard. This was a matt finish distemper which could be applied by brush or spray. After drying at room temperature for two weeks it was to be readily removable with hot water leaving the surfaces uninjured.
After the ‘black’ port wing had been in use for several months signal A279 was sent by Fighter Command to the Air Ministry and all other Commands on 7th April 1941 notifying them that from dawn on 15th April (subsequently delayed until 22nd April) the ‘black’ marking would be removed from all port wing under sides of day fighters. The reason for the sudden change in policy is not known but may be due to the changing role of Fighter Command from a purely defensive force to a more aggressive one, undertaking mass formation ‘sweeps’ into enemy territory. In this context the black wing would have alerted ground observers as to the whereabouts of RAF fighters.
There were also other occurrences of painting the under surface of the port wing black as a temporary recognition feature. For example, Operation Spartan, Exercise Scorch.