AS the token Parafilm M enthusiast, here's a reprint of a pro-Parafilm M manifesto I wrote up last year. HTH
Parafilm M -- It's not just for expert modelers anymore . . . and it never was!
Parafilm M is one of those modeling devices or substances that has some kind of mystical reputation that keeps people from appraoching it out of fear or awe.
Lighten up folks! It's laboratory Saran Wrap for test tubes, and it takes about two miniutes to learn the basics of using the stuff to mask canopies.
Parafilm is a stretchy, waxy, impermeable film that becomes very clingy when stretched in a single direction. That's what makes it perfect to seal up test tubes of concoctions and to mask surfaces for painting. It doesn't react with enamels or acrylics -- I have no personal experience with its compatibility with lacquers such as Floquil, but Testors Glosscote and Dullcote are lacquers and don't react with it either.
The beauty of Parafilm is that there is no real difference between using it or Scotch tape to mask a canopy. To activate the material, you cut a piece off the roll -- it comes on a wax-paper backing that removes easily -- grasp opposing edges and stretch about twice or three times its length in one direction. This is important -- ONE DIRECTION ONLY -- so you don't tear holes in the film . Holding the opposing edges firmly means that the film will not narrow appreciably during the stretch.
Because this stuff seems to stretch forever, you really need to cut off just what you can handle in a coordinated manner. I've found that a two-to-three inch long section is quite adequate to cover something like a 1/48 B-25 nose glazing with a fair bit of excess film.
You can cut the resulting length of film to size for whatever you're masking. Center the piece over the item to be masked and gently pull it down over the item. You can then press the Parafilm onto the surface and into the lines of the molded framing. If you need to use multiple pieces of Parafilm, don't worry -- the material adheres very well to itself.
Burnishing Parafilm often causes damage. The best technique to ensure the material is fitted to every nook and cranny is to use the end of a toothpick as a roller, rolling it across the film and into frame lines and seams.
Trimming Parafilm takes a little care, since it is a little more rubbery than Scotch transparent tape, but all you need is a FRESH No. 11 X-Acto blade.
Cut along the framing and panel areas to be painted, and make sure that cuts meet at all corners. After you're done, start by lifting up a section of masked framing with the tip of your knife. If you lift part of the masking over a clear panel, don't panic. Just press the material back down, recut the area and peel the frame off again.
After you finish uncovering the framing, go back and press over the masked surfaces as a precaution. If you manage to wear a hole in any part of the mask, use white glue to cover the hole.
After you've finished painting and are ready to remove the Parafilm, things get even better. The mask actually hardens a bit from the accumulated paint, so when you lift up a corner of the mask and start peeling, the Parafilm removes smoothly and with none of the residue you get from Scotch tape.
Some people say that masking something like a Ju 88 or He 111 canopy with Parafilm is a chore and a half. Think about it -- it's a chore and 2/3rds with something as unflexible as transparent tape, and you get another 1/3rd of a chore when you have to clean adhesive residue off your glazing.
So, pay some high school or college student to fift a few feet of Parafilm M from the lab -- just kidding!!!! Go to a lab supply store or check your favorite real or virtual hobby emporium. A roll lasts forever . . . . unless you're doing a full collection of Ju 88's in 1/48 scale. Then it may last only several years.
Go forth and mask!!!!