Once the "Vandyke Brown" filter was fully dry, the next step was to apply a paint layer, to create the chipping effect. This could be done using the hairspray technique and in this case I did use the AK Interactive’s "Worn Effects" which has been developed for exactly this type of effect and would guarantee consistent results.
With the "Worn Effects" coat dry, some Life Color UA512 "Light Blue RLM 78" acrylic airbrushed on, in a random cloud pattern. Once dried, more sponge chipping added, using the Life Color UA704 "Rust Light Shadow 2" acrylic.
The paint allowed to dry for about an hour before starting the chipping process. To chip the paint, I simply wet the PSP plate surface with warm tap water and let it soften the paint. Some old stiff bristled brushes & toothpicks were used to scrub and dab the plate’s surface, to create the chipping effects on the light greyblue areas.
Fresh rust marks also added in some selected points, with some of the Life Color UA704 "Rust Light Shadow 2" acrylic. Using a fine tipped brush, the "Light Rust Brown" & "Dark Rust" oil paints by 502 Abteilung & AK Interactive series painted in vertical lines from various chips and scratched added earlier. Once the oil paints had been allowed to dry for a short while, a brush dampered in White Spirit used to blend and soften these streaks for a more subtle effect and obtain visible signs of wear & oxidation.
Hmmm, is the camera too far to see details? OK, let’s zoom and get a closer look on oxidation effects & light greyblue paint chipping. To be honest, I'm starting to believe, that my attempt to turn a pigs ear to silk purse, is quite possible to succeed.
Early Aviation
Discuss World War I and the early years of aviation thru 1934.
Discuss World War I and the early years of aviation thru 1934.
Hosted by Jim Starkweather
1:18 scale IS-A Salamandra 53 scratchbuild
Nick_Karatzides
Joined: May 22, 2009
KitMaker: 185 posts
AeroScale: 160 posts
KitMaker: 185 posts
AeroScale: 160 posts
Posted: Sunday, August 25, 2013 - 09:44 PM UTC
Nick_Karatzides
Joined: May 22, 2009
KitMaker: 185 posts
AeroScale: 160 posts
KitMaker: 185 posts
AeroScale: 160 posts
Posted: Tuesday, August 27, 2013 - 07:08 PM UTC
CHAPTER IX - Anchor & tie down
I 've noticed that pilots & airfield supporting personel, use a number of improvised anchors types, to tie down the gliders, ultralights or even single engine aircrafts such as Cessna 172s, especially when operating from some grass covered airfield, without any permanent anchorage points & lashing hoops installation on ground. These improvised anchors are made of concrete filled tires or cement block bricks also known as CMU - Concrete Masonry Units).
The tying is part of the checklist and therefore gliders, ultralights, gyrocopters etc, should remain tied and with wheel chocks instaled when grounded, because even the slightest breeze can cause to aircraft start rolling or flip the wings and hit wingtips on ground or worst. I've watched a video on YouTube, where a RAF's BAe Harrier GR.7 aircraft with no wheel chocks installed, began trundling because the wind gust, gone away from the apron and finally stopped on the grass, several meters away from the initial parking position. During this special "ride", the ground personnel just stood and watched the embarrassing view. Fortunately, no big damage caused that day, if we exclude some taxiway sign & the fence fell down and of course the groundcrew chief's pride. So, if this can happen on a mighty fighter jet that weighs 13 tons, why not also happen on a glider or an ultralight?
Building this improvised anchor made by concrete filled tire under scale, seemed OK to me. My first thought was to 3D print it and for this reason I actually, had just the right CAD model waiting for this purpose, in my laptop’s HD. Not having anything more to do that afternoon, I took my Mrs for a ride in town and some shopping at local Mall.
As people say, everything starts with a wish. And then, just like that, while shopping at the supermarket, I found the following item (actually a pencil eraser set for kids), for 0.5 € only. Sometimes the simplest idea can make the biggest difference and it looks like someone had the idea to produce & sell some pencil erasers that look like car wheels, waiting for me to find it, when I need it. Since I found this item which looks like a weathered wheel tire and seems to meets the criteria for 1/18 scale size, for a cheaper than dirt cost, I had no reason to 3D print the tire.
PS. Damn’d, I should wish for “World Peace” instead of “I need a 1/18 scale tire”.
I removed the rim and filled the inside of the wheel with plaster to recreate as closely as I could the rough surface of cast cement & gravels. Because the plaster mixture was quite watery, I had plenty of time until become hard. So I also added some grains of volcanic sand into the plaster mix, hoping to recreate gravels. These volcanic sand grains (hand picked during summer vacations at the island of Santorini) seem to be ideal for the purpose and weight much less than normal beach sand.
As soon as the plaster cast got harden, the anchor was sprayed over with Humbrol light grey acrylic primer to get prepared for the FS 37038 "Matt Black" available by Life Color as LC02 acrylic. Later, the gravels were also painted with light gray & sand shades.
The paint allowed to dry for a couple of hours before starting the dusting process. The next two steps involve the use of pigments, which would give visual interest on the old & weathered tire. To get best results, I used "Raw Umber" pigment, a small metal cup, a flat brush and a bit of water. I add some grams of pigment powder and few drops of water into the cup to make the right mixture. It is important to add a tiny amount of water in order to make the mixture look like mud - not like soup. For this reason, I use a syringe to add just few drops on the pigment powder and I stir using the brush. The pigment applied with paintbrush with pressure, over the whole surface.
When the pigment wash dried, I rubbed off the high spots with a hard toothbrush and removed the dust excess. The high spots were cleaned to the basic finish and the low spots were left dusty. As soon as it looked OK to me after brushing & removing "Raw Umber" pigment dust, I continue to second step and add some grams of White pigment powder in the metal cup. Using a flat brush, I tried a pigment powder drybrushing, on the areas that supposed to be more enlighted.
Afterwards, the surface was soaked with fixative by Winsor & Newton, to fix the previously applied pigments, moving in a motion outwards the center of the wheel. As a final touch, I tried some drybrushing on gravels, using light gray & sand acrylic paint.
I 've noticed that pilots & airfield supporting personel, use a number of improvised anchors types, to tie down the gliders, ultralights or even single engine aircrafts such as Cessna 172s, especially when operating from some grass covered airfield, without any permanent anchorage points & lashing hoops installation on ground. These improvised anchors are made of concrete filled tires or cement block bricks also known as CMU - Concrete Masonry Units).
The tying is part of the checklist and therefore gliders, ultralights, gyrocopters etc, should remain tied and with wheel chocks instaled when grounded, because even the slightest breeze can cause to aircraft start rolling or flip the wings and hit wingtips on ground or worst. I've watched a video on YouTube, where a RAF's BAe Harrier GR.7 aircraft with no wheel chocks installed, began trundling because the wind gust, gone away from the apron and finally stopped on the grass, several meters away from the initial parking position. During this special "ride", the ground personnel just stood and watched the embarrassing view. Fortunately, no big damage caused that day, if we exclude some taxiway sign & the fence fell down and of course the groundcrew chief's pride. So, if this can happen on a mighty fighter jet that weighs 13 tons, why not also happen on a glider or an ultralight?
Building this improvised anchor made by concrete filled tire under scale, seemed OK to me. My first thought was to 3D print it and for this reason I actually, had just the right CAD model waiting for this purpose, in my laptop’s HD. Not having anything more to do that afternoon, I took my Mrs for a ride in town and some shopping at local Mall.
As people say, everything starts with a wish. And then, just like that, while shopping at the supermarket, I found the following item (actually a pencil eraser set for kids), for 0.5 € only. Sometimes the simplest idea can make the biggest difference and it looks like someone had the idea to produce & sell some pencil erasers that look like car wheels, waiting for me to find it, when I need it. Since I found this item which looks like a weathered wheel tire and seems to meets the criteria for 1/18 scale size, for a cheaper than dirt cost, I had no reason to 3D print the tire.
PS. Damn’d, I should wish for “World Peace” instead of “I need a 1/18 scale tire”.
I removed the rim and filled the inside of the wheel with plaster to recreate as closely as I could the rough surface of cast cement & gravels. Because the plaster mixture was quite watery, I had plenty of time until become hard. So I also added some grains of volcanic sand into the plaster mix, hoping to recreate gravels. These volcanic sand grains (hand picked during summer vacations at the island of Santorini) seem to be ideal for the purpose and weight much less than normal beach sand.
As soon as the plaster cast got harden, the anchor was sprayed over with Humbrol light grey acrylic primer to get prepared for the FS 37038 "Matt Black" available by Life Color as LC02 acrylic. Later, the gravels were also painted with light gray & sand shades.
The paint allowed to dry for a couple of hours before starting the dusting process. The next two steps involve the use of pigments, which would give visual interest on the old & weathered tire. To get best results, I used "Raw Umber" pigment, a small metal cup, a flat brush and a bit of water. I add some grams of pigment powder and few drops of water into the cup to make the right mixture. It is important to add a tiny amount of water in order to make the mixture look like mud - not like soup. For this reason, I use a syringe to add just few drops on the pigment powder and I stir using the brush. The pigment applied with paintbrush with pressure, over the whole surface.
When the pigment wash dried, I rubbed off the high spots with a hard toothbrush and removed the dust excess. The high spots were cleaned to the basic finish and the low spots were left dusty. As soon as it looked OK to me after brushing & removing "Raw Umber" pigment dust, I continue to second step and add some grams of White pigment powder in the metal cup. Using a flat brush, I tried a pigment powder drybrushing, on the areas that supposed to be more enlighted.
Afterwards, the surface was soaked with fixative by Winsor & Newton, to fix the previously applied pigments, moving in a motion outwards the center of the wheel. As a final touch, I tried some drybrushing on gravels, using light gray & sand acrylic paint.
Nick_Karatzides
Joined: May 22, 2009
KitMaker: 185 posts
AeroScale: 160 posts
KitMaker: 185 posts
AeroScale: 160 posts
Posted: Wednesday, September 04, 2013 - 07:34 PM UTC
CHAPTER X - Alles zusammen
Daily watering was successful and the green grass is now high & wild enough on the field display base. At last, I had to conclude the "alles zusammen" final step. To assemble all individual parts in one scene, without damaging the glider's construction, the paint, the weathering and the rust & dust effects. That’s why I had to constantly monitor and try some dryfit tests all time, to ensure that I will not face any nasty surprises later. The windsock & the PSP plates, would be the first to be placed on the green grass display base and secured in place with hidden metal pins encased in the polished beechwood base through balsa wood sheet & glued with CA super glue. A last moment’s addition, an also 3D printed Fahrrad NSU bicycle model, painted in light blue colour (ammo box removed) not to remind it’s German military origin, placed against the windsock wood pole. Some rust effects also applied on bike’s metal frame.
Later, the improvised anchor made by concrete filled tire and the IS-A Salamandra glider model, both secured in place with hidden metal pins and glued on the ground with transparent silicon. Final details were added, such as the seat belts & buckles in cockpit, the clear windscreen, some extra dust & rust weathering effects on tension wires, etc. As soon as the result was OK for me, the scene sprayed over with Humbrol enamel mat coat, to seal the work so far and left it overnight to dry. The next day, I did a final inspection on result and set it up to shoot some pictures.
Daily watering was successful and the green grass is now high & wild enough on the field display base. At last, I had to conclude the "alles zusammen" final step. To assemble all individual parts in one scene, without damaging the glider's construction, the paint, the weathering and the rust & dust effects. That’s why I had to constantly monitor and try some dryfit tests all time, to ensure that I will not face any nasty surprises later. The windsock & the PSP plates, would be the first to be placed on the green grass display base and secured in place with hidden metal pins encased in the polished beechwood base through balsa wood sheet & glued with CA super glue. A last moment’s addition, an also 3D printed Fahrrad NSU bicycle model, painted in light blue colour (ammo box removed) not to remind it’s German military origin, placed against the windsock wood pole. Some rust effects also applied on bike’s metal frame.
Later, the improvised anchor made by concrete filled tire and the IS-A Salamandra glider model, both secured in place with hidden metal pins and glued on the ground with transparent silicon. Final details were added, such as the seat belts & buckles in cockpit, the clear windscreen, some extra dust & rust weathering effects on tension wires, etc. As soon as the result was OK for me, the scene sprayed over with Humbrol enamel mat coat, to seal the work so far and left it overnight to dry. The next day, I did a final inspection on result and set it up to shoot some pictures.
mparham02
Oregon, United States
Joined: September 02, 2010
KitMaker: 60 posts
AeroScale: 2 posts
Joined: September 02, 2010
KitMaker: 60 posts
AeroScale: 2 posts
Posted: Wednesday, September 04, 2013 - 08:48 PM UTC
Wow incredible work!!!!
Nick_Karatzides
Joined: May 22, 2009
KitMaker: 185 posts
AeroScale: 160 posts
KitMaker: 185 posts
AeroScale: 160 posts
Posted: Sunday, September 08, 2013 - 10:25 PM UTC
CHAPTER XI - Epilogue & aknowledgments
Although I had other plans at the beginning of this WIP, I was not really sure about the ending and especially the display base for the model. I changed my mind during the building process and finally decide to present as found in a small green grass covered airfield, now used by general aviation pilots for their weekend excursions, where the Salamandra glider is now resting tilted sideways, with one wingtip touching the ground and the other on air. A kind of wordless symbolism for the old fella who tirelessly offered training services to thousands aviators, weary lying on the ground but still turning wing high in the sky, where it belongs.
I ‘d like to share with you, a rare photograph. It takes us back to autumn of 1936, possibly in Lwow, Poland (now Lviv, Ukraine). The man with the hat (right), is Mr. Waclaw Czerwinski, one of the leading aircraft designers and head of the "WWS - Wojskowe Warsztaty Szybowcowe" (meaning “Military Gliding Workshops” in Polish language). The WWS-1 Salamandra glider (re-engineered as "Instytut Szybownictwa IS-A" after the WWII), was the first project which was created under his leadership during the mid 1930ies. The other man (left) is Mr. Tadeusz Chlipalski, the head engineer who established the plant for the gliders production in Bielsko Biala at south Poland.
I would like to express my special thanks to:
Finally, thank you all for following this thread and I hope you enjoyed reading this article. I’ll meet you soon, on my next WIP - possibly a 3D printed.one.
Regards,
Nick
Although I had other plans at the beginning of this WIP, I was not really sure about the ending and especially the display base for the model. I changed my mind during the building process and finally decide to present as found in a small green grass covered airfield, now used by general aviation pilots for their weekend excursions, where the Salamandra glider is now resting tilted sideways, with one wingtip touching the ground and the other on air. A kind of wordless symbolism for the old fella who tirelessly offered training services to thousands aviators, weary lying on the ground but still turning wing high in the sky, where it belongs.
I ‘d like to share with you, a rare photograph. It takes us back to autumn of 1936, possibly in Lwow, Poland (now Lviv, Ukraine). The man with the hat (right), is Mr. Waclaw Czerwinski, one of the leading aircraft designers and head of the "WWS - Wojskowe Warsztaty Szybowcowe" (meaning “Military Gliding Workshops” in Polish language). The WWS-1 Salamandra glider (re-engineered as "Instytut Szybownictwa IS-A" after the WWII), was the first project which was created under his leadership during the mid 1930ies. The other man (left) is Mr. Tadeusz Chlipalski, the head engineer who established the plant for the gliders production in Bielsko Biala at south Poland.
I would like to express my special thanks to:
- All fellow scale modelers, who have expressed their ideas through this forum and suggested solutions to technical issues encountered during this WIP.
- Mr. George Papadimitriou, owner of Hobby Gallery hobby shop and exclusive distributor for LifeColor & AK Interactive products in Greece, for his kind support and providing all the goodies I asked for - from A to Z.
- Mr. Nikolaos Kountouris, owner of MDC - Model Display Case store, who personally supervised the construction of the polished beechwood base after my request and made sure superior quality work.
- Spartan king Agesilaus, from whom I borrowed the cue "today, the prowess died", later rephrased by me as "today, the scratch building died", which became the main motto during this WIP presentation.
- My sweetheart “4-star General in home” wife, who actively participated in the project as an indispensable assistant, offering me relaxing neck massage while working on my bench.
Finally, thank you all for following this thread and I hope you enjoyed reading this article. I’ll meet you soon, on my next WIP - possibly a 3D printed.one.
Regards,
Nick
JackFlash
Colorado, United States
Joined: January 25, 2004
KitMaker: 11,669 posts
AeroScale: 11,011 posts
Joined: January 25, 2004
KitMaker: 11,669 posts
AeroScale: 11,011 posts
Posted: Monday, September 09, 2013 - 02:02 AM UTC
Excellent build and the history tie in just makes it better. Like icing on the cake.
lcarroll
Alberta, Canada
Joined: July 26, 2010
KitMaker: 1,032 posts
AeroScale: 1,025 posts
Joined: July 26, 2010
KitMaker: 1,032 posts
AeroScale: 1,025 posts
Posted: Monday, September 09, 2013 - 04:39 AM UTC
Nick,
I very much enjoyed following your project here. Beautiful display, unique subject, and outstanding work throughout. Congratulations on a magnificent Build!
Cheers,
Lance
I very much enjoyed following your project here. Beautiful display, unique subject, and outstanding work throughout. Congratulations on a magnificent Build!
Cheers,
Lance