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. . . I think what Steffen is alluding to is: far right gun(?) looks longer than the near left gun
The '38's guns did stick out of the nose at different "lengths", if that's what you're talking about.
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...angle of far right gun versus lower center gun appears "kiltered." Meaning, if you draw a line along each of these two towards the front of the painting, they will intersect just off the painting.
If you're referring to the "boresight" line up of the gun barrels, they look pretty "straight" looking at the original. At this small size, they're just 'blobs' or 'lines' of paint on your screen ...
But the essence is there, in any case. I'm digressing, but unlike scale modeling, microscopic detailing of each and every aspect of the canvas is UNdesireable in representational painting. Why? Without launching into a lecture, It's called 'overworking' the painting, and, actually, is the mark of an amateur. Where is the center of interest? Where is the focus? What's superfluous and what's important according to the artist, and how do we know?
"The
ability to indicate, rather than render", as the saying goes, "is one hallmark of the professional."
Along those lines, there is (or was) a "school" of painting that aims to display a slick, literally "photographic realism". By that I mean no brushstrokes are apparent and the painting could fool most people into thinking that it's a photograph (The goal of art? I don't think so.). The big secret is that it's not harder than "looser" painting, indeed it's much easier - it only takes longer. And then there's the question: You have accomplished what, exactly, with "photorealism"?
That being said, I do believe there are times and places for obsessing over detail. Art, for example, rendered specifically to show or display material for modeling (or aviation art) reference: cockpits, engine compartment, structure, etc, etc. In that case, yes, I agree that every rivet should be slaved over until the artist goes blind! Another 'reason' to go anal on one's art would be, again, specifically to show features of the subject matter, as in box top art. In that case, you of course want to show off the "detail" you are trying to sell.
Now, can you imagine a Sargent portrait rendered in photorealistic style? No way! Look at those brushstrokes in any Sargent. Oh yes, ol' JSS's work looks quite realistic - till you step a bit closer!
Give me gun barrels a degree or two off any time, or edges that disappear into nothing ... a certain amount of "dither" (imperfect line ups, impasto paint application) is necessary to show the hand of the artist ... that 'bond' with the viewer is why oil painting hasn't gone out of style - even after we long ago perfected the miracle of the camera.
Wade