1⁄35To Pre-Shade or Not To Pre-Shade?
The thoughts behind the technique.
I have in the past done a little figure painting. The technique I used was to undercoat with the basic
color, using Humbrol enamels, then use artist's oil paints for final painting. This requires the use of three shades of the same
color, base coat, shadows, and highlights. These three shades are blended to give the overall effect. The idea is to simulate where the light would be falling. If I were to transfer this technique to model aircraft, it would not work. Imagine a Messerschmitt painted with that technique, it would look very odd.
I use artist's oil colors for washes on aircraft because they can be mixed together for many different affects. This is partly due to the fact that some are opaque and some are translucent. Also you can get some startling affects, because you don't always get the
color you expect when you mix them. This, I believe, has something to do with how the pigment is derived. I use Warm Grey a lot because it has a brown tint to it, and is ideal for some washes. Using washes will darken the underlying
color, as does applying Klear (Future) or any other varnish. Using oil paints, in a wash, can add a tint as well, or instead of, darkening the underlying
colors. Experimentation is the word here but I've more or less found what works for me. The next step is probably lightening the camouflage
colors. This is normally advocated for "scale effect" but I would do it because of the darkening effects of varnish coats and washes. I haven't gone that route yet because I'm not convinced that straight lightening of the base
color is the answer. Thoughts on this would be much appreciated. So what I was looking for was a way to vary the hue of each camouflage
color without making it look to contrived. When I first saw the affects of pre-shading I knew it was for me. The big problem, though, was that it only appeared to work with light
colors, and I needed something that would work on any color. This technique, I'm sure, can be adapted for
armor and other modeling pursuits. When I was modeling Armour (faint) I tried Verlinden's method of pre-shading, which basically used a darker shade of paint under the main
color, i.e. dark earth under the yellow shade, the name of which escapes me but I'm sure
modelers of German WWII armor will know what I mean.